The scent and smoke and sweat of a casino are nauseating at three in the morning. Then the soul-erosion produced by high gambling – a compost of greed and fear and nervous tension – becomes unbearable and the senses awake and revolt from it. Ian Fleming, Casino Royale
Since going bionic, I’ve started reading books again in a big way.
I’m reading them in a different way to before. I now download them as unabridged audiobooks and ebooks from iTunes. I then read the book on the iPad, connected directly to the headphone jack and hearing a voice reading the words to me, chapter by chapter.
It’s tricky to do, as I’m not yet at the stage of fully understanding speech without lipreading or subtitles. Most audiobooks come as one large, unbroken audio file of between 5 and 10 hours in length. The start of many audiobooks include spoken copyright information, the name of the author, the publishing house, and so on. If I lose my place in a chapter I have to return to the start and try again.
To get started I listen until I can hear ‘Chapter 1’, then make a note of the timecode for the start of the chapter, then start reading, playing the audio in the background as I follow the story in iBooks, turning the pages virtually as I go. Sometimes I try to close my eyes and see how long I can listen before the words start to dissolve into unintelligible blobs of sound again. Then I open my eyes and try to find my way back to the written word again. Most times, I can do it.
I’m reading one chapter from each of four audiobooks each day. A chapter from an audiobook can be between five and fifteen minutes, so that adds up to around an hour’s reading time a day in total.
I’m trying to read the four different audiobooks simultaneously for variety more than anything. Game of Thrones is read by an 85yr old stage actor called Roy Dotrice whose voice is quite soft, and the edges of his words aren’t always easy to make out. Casino Royale is by Dan Stevens, better known as Matthew Crawley from Downton Abbey (so I’m told anyway).
Stevens’ voice is stronger and clearer than Dotrice’s, but his cadences and rhythms vary quite widely, some sentences spoken in a hurried whisper, interspersed with pregnant pauses. I like hearing him say phrases like ‘The Societe des Bains de Mer de Royale’ – he says them the way I used to say them in my head when I read the paperback as a student, 20 odd years ago. Tina Fey’s autobiography is hard to follow. Her voice is quite high, and she speaksreallyfastwithoutpausingforbreath. But luckily her chapters are quite short and sweet.
My favourite voice of all is probably the anonymous American man who reads The Talented Mr Ripley. I’ve read Highsmith’s novel several times already ever since watching Plein Soleil at the cinema. For the first time I feel like the original book is as good as, if not better than, the film adaptation.
I’m learning to discriminate between male and female voices, between old and young, between British and American. I’m learning the subtle differences between the way the same word can be pronounced differently by four people.
Most importantly, listening to and reading audiobooks has taught me a long forgotten skill. The ability to concentrate. Until recently I’d spend my days lurching from a 7am baby feed to twitter to facebook to email to skype chat to an amusing picture on the internet to filling out a form to making an online bank transfer to reading a newspaper article to writing a script to having a meeting to checking my tumblr favourites. I’d long lost the ability to concentrate on one single task at a time.
Now, with these audiobooks, I find my mind becoming an oasis of calm. One activity, one purpose. When I plug myself directly into the headphone socket, all the outside noises go away and it’s just me, an iPad, and someone telling me a story that I’ve heard before, but I don’t mind hearing again and again.
I’ve also unlearned another bad habit – skim reading. I would plough through books in the past without always taking in every word properly. Now with the help of a voice reading along, I have to pace myself – and it makes the book an even richer and more detailed experience than before.
This is all part of my long term training montage – but is it working? I think it is. I listened to an audiobook with my hearing aids a week before my operation. I could only follow the words through the rhythm of the speech. I couldn’t hear the words themselves. I had to work them out by the number of syllables. Now, words are sounding clearer and more distinct every time I start a new chapter. Behind the scenes, my brain is pedalling furiously on an exercise bike, a couple of earbuds jammed into its ears.
I’ll probably read these audiobooks more than once. Eventually, through practice, I might even be able to listen to these audiobooks without the help of the written word at all. Maybe.
Further Reading:
Download audiobooks from iTunes or Audible.co.uk
Buy the James Bond audiobooks cheaply at Audiogo.com
Look at further rehabilitation links at I Look So I Can Hear
William Mager is a Contributing Editor for Limping Chicken. He is also an award-winning director for film and TV, who made his first film aged 14 when he “set fire to a model Audi Quattro and was subsequently banned from the school film club for excessive pyromania.” He’s made short films, dramas and mini-series, and works for the BBC. Find out all about his work at his personal website, read his blog, and if you’re on Twitter, follow him here.
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Andy
April 2, 2013
I never thought about audiobooks. Not something that has ever figured in my life before! What I do is have the TV on all day. I have a TV card in this machine or alternatively I have a small portable TV that I can put on the desk. So I am aware of the sound constantly but not always aware of what they are saying. Every now and again a keyword catches my attention and I look at the TV. I think that is sort of how hearing people do it too. Sometimes I listen to other languages via satellite TV. It’s like going back to hearing aids again!
We have been talking about self-tuning digital hearing aids on a couple of forums. There is a US site packed with information about how to do your own adjustments. The idea behind this is that it is easier to DIY, with its instant feedback that it is to do it through a third party. Who may or may not be skilled at interpreting your needs. That’s the idea behind it, so obviously the aim is to take the performance to the max. Makes sense to me.
That’s hearing aids.
But! I hear that the big CI manufacturers are taking that idea on board and considering making a home user kit available. It’s just talk at the moment, unless anyone knows better.
I find that some days there is too much sound. It irritates me and I find it too much stress. I haven’t been feeling too well this weekend, some bug I have picked up and I found the CI a bit too much when I was feeling rough. So I suppose that is an idea of the level of concentration we need to use it. It’s nice to have a bit of ‘ush when I am feeling crook.
I notice you are detecting sound quality now and telling the difference between different speech. I’m not actually as good as you there but I can hear accents. Half the people on TV have an accent of one kind or another and I am learning to tell them all apart. Bit of a shock to find that my favourite weather girl sounds as Scottish as a haggis.
wmager
April 3, 2013
Interesting comments, particularly about feeling ill. I´ve had a similar problem recently… with some rather worrying and unexpected side effects!
David Blackburn
April 2, 2013
Can you bluetooth your CI directly to the iPad to get a direct audio feed to the CI? Just curious?
wmager
April 3, 2013
Hi David – you can connect a neckloop to the ipad, then use t position on remote. I prefer just connecting direct with a cable, the sound quality is amazing.
barakta
April 2, 2013
This is a really clever idea. I’ve done similar with music and new hearing aids but never to this level of dedication.
I’m only profoundly deaf in the low frequencies, my highs are pretty good in the severe range so I can sometimes hear radio etc with my hearing aids only. I can’t tell the difference between people on the radio and people in real life, so when parents played Radio 4 really loudly on Sunday afternoons I didn’t know if they’d bought a load of visitors downstairs or it was just radio. All the women on the Archers sound the same as well, which makes it boring and very strange as well as tiring to listen to.
The issue I find without lipreading input is auditory memory. I usually only bother with radio if a friend is on a programme and while listening I can usually follow it OK if I concentrate really hard but I won’t remember the details of what was said or who said what afterwards unless I make notes immediately. It’s not something I could learn from or enjoy.
It’ll be interesting to see if you find you get good enough at audio with your CI to find it a useful mode of info input. I know of young children with CIs who apparently don’t need to lipread at all.
JK
April 4, 2013
Will you, empowered by your CI, revisit favourite films? With subtitles as usual, they’ll resonate anew as you perceive more of the actors’ vocal skills (and perhaps the music). For instance, Blade Runner: Harrison Ford’s laconic voiceover in the original version, Vangelis’ sax and piano soundtrack while in Deckard’s apartment, even Rutger Hauer’s accent for Roy Batty, especially his ‘tears in rain’ speech.